Brenda  Brown
LANDSCAPE DESIGN ART RESEARCH

SELECTEDWORKS
blue lake pier listening site, photo by Brenda Brown
Caldera Sound Map, drawing by Brenda Borwn
north hill listening site, photo by Brenda Brown
glade listening site, photo by Brenda Brown
CONTEXT

Caldera's 90 acres, 3500 feet above sea level, lie in the eastern Oregon Cascades.  In summer Caldera is a camp for under-served children and adolescents; December through March it has a small artist-in-residence program that allows artists to focus on their own creative works. Caldera occupies a valley and much of its variably steep sides.  Much of this landscape burned in a large forest fire in 2002.  The property includes shores of Blue Lake, a collapsed volcanic cone, or caldera, now 350 feet deep with spring water.  On Link Creek, which flows from Blue to Suttle Lake,  a saw mill -- now converted to hydro-electric power generation -- attests to the site's logging camp past.  Uphill, one property edge adjoins US Route 20, a major route over the Cascades via Santiam Pass. Caldera's nature thus encompasses and reflects aspects of human culture.

CALDERA LISTENING PROJECT

Landscapes reveal sounds and sounds reveal landscapes.  Land forms affect acoustics and sound propagation through structures and materials; they also affect sounds' content.  Their plant and animal habitats provide varied, changing sonorous eco-niches.  The Caldera Listening Project developed in response to my experiences there as artist in residence in February, 2005 and in response to the goals of its summer youth camp programs.   The work is a record of my observations and experiences at and in a particular time; it is also intended to draw attention to Caldera's sonorous eco-niches and prod people, especially young people, to listen. Ten listening sites are marked with specially painted and capped posts. The post colors reflect those of Caldera's February landscape; the caps’ include a listening creature icon , a conceptual map of the property's landscape's sounds, and maps that indicate where one is on the property and in the larger world.  Posts’ text also refers to landscape sounds: the horizontal concerns sounds and their characteristics; the vertical concerns conditions (for example, rain and wind) influencing those sounds.  An eleventh post, the camper's post, was painted in summer landscape colors and without text.  Kit Stafford, the Caldera teacher at Sisters Middle School with whom I worked, did a unit on sound with her class.  They would do their own listening at Caldera, collect and cull their own words, and stencil this, their own post, perhaps a start to a landscape trail that Caldera students and campers will develop.      
south mill listening post, photo by Brenda Brown
  Caldera Listening Project
  Contents:
  SITES  SOUNDS  TIMES
 
 Mill Falls --south side . . . . . . . . . . . . .  CD Track 1 . . .  :55
  Mill Falls Footbridge -- south to north . .CD Track 2 . . . 1:36    
  Above Mill Falls -- north side . . . . . . . . CD Track 3 . . . 2:03
 Lake Creek (steps) . . . . . . . . . . . . . . . . CD Track 4 . . . 2:17
  Blue Lake Pier . . . . . . . . . . . . . . . . . . .CD Track 5 . . . 3:00
 North valley hillside . . . . . . . . . . . . . . . CD Track 6 . .  2:34
 Douglas fir listening device . . . . . . . . . No CD Track
 Wide (vehicular) bridge . . . . . . . . . . . . .CD Track 7 . . . 2:47
 Boardwalk . . . . . . . . . . . . . . . . . . . . . . CD Track 8 . . .2:13
 Creek meander grove . . . . . . . . . . . . . . CD Track 9 . . .1:43
  Manzanita scrub . . . . . . . . . . . . . . . . . CD Track 10 . . 1:17
 Edge (manzanita/burnt wood) . . . . . . . CD Track 11 . . 1:33
 South valley hill burn . . . . . . . . . . . . .  CD Track 12 . . 2:34
 Hearth Hill Grove/Campers’ post . . . . . CD Track 13 . . 2: 08
Caldera Listening Project sound cd cover, by B. Brown
Caldera Listening project sound cd cover, by B. Brown
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SERVICES
INTRO
WORKS
CONTACT
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