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Committee for Eco-Revelatory Design:
Brenda Brown (chair)
Terry Harkness
Douglas Johnston
Beth Randall (project assistant)
Robert B. Riley (special advisor)
Exhibit curators:
Brenda Brown
Terry Harkness
Douglas Johnston
Exhibitors: Douglas Johnston with Wes
Reetz; David Kovacic, Alan Craig, Robert Patterson, William
Romme, Donald Despain; Achva Stein and Norman Millar; Louise
Mozingo with Ann Baker, Jonathan London, Nicholas Ancel, Iris
Cheng, and Masato Dohi; Joan Nassauer with photographs by Chris
Faust; Edward L. Blake, Jr.; Richard Hansen; William Wenk and
Billy Gregg; Joseph Eades; Kathy Poole; Anuradha Mathur and
Dilip da Cunha; Kristina Hill; Julie Bargmann and Stacy Levy;
Terry Harkness; Margaret McAvin with Karen Nelson
Catalog editor & designer:
Brenda Brown
Essayists: Brenda Brown; Carolyn Merchant;
Richard Haag; Catherine Howett; Susan M. Galatowitsch; Patricia
Phillips, Robert L. Thayer, Jr., Frederick Turner
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Eco-revelatory design is landscape
architecture intended to reveal and interpret ecological
phenomena processes and relationships.
Landscape architects construct nature.
In designing landscapes, they shape and intervene in
interactive geophysical, biological and cultural systems.
Landscape architects not only design
landscape forms and functions, they design our experience.
They direct our vision and our movement; they emphasize,
they accentuate, they reveal. . . .
In these landscapes, both nature and how
we see nature are dynamic. (text from exhibit and catalog)
The exhibit and catalog, Eco-Revelatory
Design: Nature Constructed/Nature Revealed, were the
culmination of the Eco-revelatory Design project. The
exhibit opened at the University of Illinois at
Urbana-Champaign in 1998 and subsequently traveled to the
Chicago Botanic Garden, Iowa State University, the Boston
Architectural Center, and the National building museum in
Washington DC, where it closed in 2000. The exhibit
featured fifteen landscape architecture projects intended to
reveal and interpret ecosystem phenomena, processes and
relationships. The catalog for the exhibit, a special
issue of Landscape Journal, documented the projects in the exhibit and
presented eight essays, each by a different author, each
concerned with the works in the exhibit, their context, and
their implications.
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